Otis: More than just Maybach Music

I apologize for my tardiness with this review, but here goes.

Otis Redding is someone I am familiar with, but on a very shallow level. Everyone knows “(Sittin’ On) The Dock of the Bay”, through years of radio play on Oldies music stations. Kanye West and Jay-Z paid tribute to Otis Redding in their 2011 hit “Otis”, featuring samples from the song “Try a Little Tenderness”.

When this song came out, I gave Otis Redding a try and listened to this album and thought it was good, left it at that, and moved on.

But going back several years later and trying to get my untrained ears to dissect this album has been fun. Every time I attempt one of these album reviews, I find myself trying to approach it from an objective point of view, but honestly, that’s just not me. Music to me falls somewhere between a disaster and a banger, between terrible and a complete jam, or even in the realm of bad or a wailer. I am not an objective critic and I think I should stop trying to be one.

As discussed previously on other blogs, the title track is the best. I feel that there is not much more I can add. Song is legendary.

With that out of the way, Dock of the Bay is a banging, slapping, pocket a.f. work of art. Otis has so much power and soul in his voice, giving us the chance to feel the emotion he is conveying in his songs. “I’m Coming Home” is a fantastic example of this. Otis has been left by his woman, leaving him a “lonely little boy, nowhere to go”. Otis is pleading to his woman, wanting to come back to her, with the chorus a powerful cry to get his woman back, to return home. The raw emotion in this song makes it one of my favorites.

Then there is a song like “Don’t Mess with Cupid”. Otis has been scorned by a woman, her throwing his love away like it was a piece of trash. This song starts with a guitar lick that is very similar to “Party in the USA” by Miley Cyrus. I love the instrumentals behind Otis on this song, with the banging on the cymbal and the horns fitting the cutting edge of Otis’ voice perfectly. I think this song is an absolute jam, and wish it was sampled more in modern music.

The final song that stuck out to me was “Tramp”. The female voice on this song is Carla Thomas and she is a perfect 10/10 on this song. When she says “You know what Otis… you’re country…”, I can literally feel the sass and hate this woman has for this man. Otis is trying to prove his love and monetary worth to this woman, but all she still thinks he is a tramp. And she says it in such a way that I actually believe it. This is my favorite song from this album because it seems the realest. 10/10.

Overall, I enjoyed coming back to this album and thought it was a nice choice by Connor. It is cool how we are venturing out of the Hip Hop genre we typically live in and are venturing into newer (older) territory. This album is an album of love, losing it, hating it, accepting it, craving it. This album fits the general mood of life, and was a thoroughly enjoyable listen!

Rating: 8/10

Favorite Song: Tramp

Favorite Lyric: “You know what Otis… you’re country…straight from the Georgia woods…” – “Tramp”

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